Saturday, October 10, 2009

Christ and Marriage


I have many friends in the blogosphere whom I admire greatly. I draw inspiration and creativity from them on a consistent basis. Whenever I feel empty, truly blank, I click on my Google Reader list and start reading my favorite blogs. Sometimes their writing appeals to my intellect, but more often their posts affect me spiritually and emotionally. And that is exactly what I found tonight when visiting my friend Anne's blog, Imprisoned in My Bones: Releasing My Inner Jeremiah. Today she wrote about the connection between Christ and marriage. She starts the post with this amazing quotation:

"I love to think of the cross as Jesus' marriage bed where he laid himself down, body, soul, mind and heart, thus giving himself completely to his spouse, which is all of us, reborn in baptism. Just as Eve comes forth from the side of Adam as he sleeps, so, too, the church is born from the wounded side of the crucified Christ.

Every wife and husband that marry in Christ are committed to loving each other sacrificially, unselfishly, completely, exclusively, permanently, because that is how God loves all of us through Jesus."


Fr. Don Hying, Rector
St. Francis de Sales Seminary, Milwaukee
I don't like thinking about my marriage being as pain-inducing as Christ's crucifixion, but the point here is the sacrificial love of marriage, the willingness to live for the other person. Keith and I have always discussed how the key word in marriage is unselfishness. So go read Anne's complete post here: The Cross of Marriage -- I'm sure that you will enjoy it and be inspired by it as much as I was tonight.

Friday, October 9, 2009

A Very Late Poetry Response: "Again"


It's been a very busy week with Class Day and my online MLA research class working on their outlines, plus my mom's and Keith's birthdays, so I haven't has much time to respond to Carry On Tuesday's prompt. I did write one -- I started it Tuesday, wrote a second draft Wednesday, but am just getting around to posting it today.

Writing poetry from prompts stretches me into writing about topics I never would have otherwise. I let the quotation(s) soak into me, waiting for an image to come. With this prompt, I started with the image of a woman shaking her head "no" and followed the image from there. Obviously this topic has NOTHING to do with my life -- it's just an imagined couple. When I watch them interact in my head, she is pale and dark-haired, a woman of quiet beauty and dignity, and he is blond and devastatingly handsome, with a cleft chin and piercing green eyes. Both are in their late thirties. So let me know what you think:

Carry on Tuesday Prompt #21: This week our prompt is the opening few words from Samuel Beckets' book The Unnameable: "Where now? Who now? When now?" Use all or part of it within your poem or prose.

Again.

Slowly
she shook her head,
negating the swirling images --
the insistently circling questions:
Who now?
When now?
Where now?
Now.
That word revealed all:
Now.
Again.
Still shaking her sickened head --
Not again.
He had promised.
The last time he had dried
her tears so tenderly --
embraced her so consolingly --
his soothing voice promising
"Never again"
over and over
in an imploring litany.
She dared not imagine
who this one was --
what she looked like --
where they had met --
how often?
for how long?
With a groan she pushed aside
desperate speculations,
and raised her face to his,
betrayal and accusation
brimming in her eyes --
hopeful apology in his:
Again.

Thursday, October 8, 2009

Happy 50th!!!

Today is my husband Keith's 50th birthday! I love being married to such an wonderful artist. Most of you have seen some of his stained glass work, but Keith is also a talented photographer (he attended Brooks Institute of Photography in Santa Barbara for a year), a fine woodworker, and an excellent teacher. Basically, he can do anything artistic with his hands. He has sewn me clothing in the past and has been working on a quilt for Timothy's room. He has designed and made most of the furniture in our home, including tables, bookcases, beds, dressers, etc. At our old house, he tore off the back third of the house and totally rebuilt it to match seamlessly with the remainder of our 1914 Craftsman home. He has made me wooden pens, has sandblasted a gorgeous stone into the shape of a heart for me with "I Love You" carved into the surface, sandblasted beautiful thick glass with seashell designs for my parents' home, made clothing for Elizabeth (a bolero jacket to wear with her gown for ballroom dancing), built a Victorian-inspired treehouse for the kids, and made a beautiful cheval mirror for his mother which we now have.


(Adema stained glass window, completed Fall 2008)

Keith's job of designing and drafting plans for custom homes disappeared almost overnight last year with the economy, but he has been working industriously on handiwork of all kinds: tiling bathrooms, repairing or replacing windows and doors, laying a brick patio at my parents' cabin, repairing and retiling fireplaces, painting interiors of condos and homes, and whatever else comes his way. He will be repairing the broken panes in our church's stained glass windows soon, and he just completed and delivered a gorgeous stained glass sliding door for our doctor's and his wife's bedroom; they were the ones who ordered and purchased Keith's huge masterwork of stained glass (above) last fall.

(Brick deck at my parents' mountain cabin)

He is amazingly talented, practically a perfectionist in art and work, and spends time building online relationships with people from foreign countries, especially in East Asia, so he can share his faith with others. He takes an active part in our home school, driving the three older kids down the hill with him so they can meet with their math tutor so that I can have an afternoon free of home schooling once per week. Keith is also learning Japanese with Jonathan at LiveMocha. Such an ambitious pair!



(Keith tiling a bathroom in black and cream marble for a client)

And besides doing all of this work to provide for our family, Keith is also Head Chef in our household. I can make dinners, but Keith creates meals that often rival some of the better restaurants. His English Toffee has become the addiction of many of our friends and family, and he bakes the holiday pies every year for both sides of the family. His soups are amazing; I've stopped ordering Tortilla Soup at restaurants because his recipe is incredible. On Monday he made a Cream of Roma Tomato Soup with roasted tomatoes from his brother's garden, plus roasted garlic cloves and onions -- delicious! In the past, I cooked for the family because I had to, but since I became ill and fairly useless after 4 PM, Keith has taken over most of the meals, and he also involves the kids in preparation and cooking as well. My favorite meal of his is Spinach and Mushroom Stuffed Chicken with White Wine Sauce, served with Dilled Red Potatoes, Green Beans Almondine, and either Dark Chocolate Mousse or Boston Cream Pie. Pure decadence!
(Keith's Boston Cream Pie)

So I wish Keith the very happiest of birthdays today: the Big 5-0! I love you and think you're the best!!! I wish I could make you a Boston Cream Pie, but at least the brownies are out of the oven and cooling just for you!

Wednesday, October 7, 2009

Walk with Him Wednesday: Prayer Beads


Meditative prayer is different, very different, from the mostly intercessory prayer I knew in the evangelical church. When I first learned to pray, I prayed almost exclusively for requests -- that's what I was taught. I prayed for others' sometimes desperate needs. I prayed for friends and family. I even prayed for myself, even though such prayer seemed rather selfish at the time. But after a while, I felt as if I prayed only when needs arose -- hardly ever as an act of love or worship. Prayer seemed more like a grocery list of requests. It took me years -- decades even -- to get past praying for needs versus worshiping God in prayer.

Years later I learned the A.C.T.S. model of prayer: Adoration, Confession, Thanksgiving, Supplication. This mode of prayer was a vast improvement over the grocery list prayers I had been praying for years. But I still struggled with truly worshiping God ... until I started praying with the Anglican Book of Common Prayer and other prayer books like The Diary of Private Prayer which both taught me how to pray Scripture and to glorify Him beautifully.

It has never been difficult for me to pray these same prayers repeatedly, mostly because the prayers are fashioned from arrangements of God's Word, and we are assured that "His Word never returns void." I quickly found that I could pray the same Scriptures every morning and mean it just as much the first day as I did three, five, even seven years later. It's a matter of concentration, and also a matter of listening for the "still, small voice" of the Spirit. I could hear Him while my mind concentrated on the familiar prayers.

Another way of praying for me has been through the use of Anglican Prayer Beads. I ordered mine from Full Circle Beads when I couldn't find beads I liked to make one myself. My prayer beads came with a little pamphlet that explained the symbolism of the beads and also contained eight different prayers, again mostly Scripture, that could be prayed with the beads.

From the pamphlet:
"Symbolism of the Beads:
Anglican prayer beads are made up of 33 beads divided into four groups of seven, called weeks, four cruciform beads, and an invitatory bead. In the Judeo-Christian tradition the number seven represents spiritual perfection. Between each week, the single cruciform beads form a cross. The invitatory bead between the cross and the wheel of beads brings the total number of beads to 33, the number of years is Jesus' earthly life."
There is also a wonderful explanation of Why Use Prayer Beads on the Full Circle site. The prayers in the pamphlet are far from the only prayers prayed with Anglican Prayer Beads, but the ones included are: "Bless the Lord," "Julian of Norwich," "A Celtic Prayer," "Trisagion and Jesus," "Come Lord Jesus," "An Evening Prayer," "Agnus Dei," and "Saint Patrick's Breastplate." An explanation of how to pray with the beads can be found here: Praying with Beads.

One of my favorites is the "Agnus Dei." I fill in the blank with the name of a person for whom I wish to pray -- and with the four weeks to pray for people, I can pray for 28 people among family, friends, and other needs.

Agnus Dei
The Cross: The Lord's Prayer

The Invitatory: Let the words of my mouth and the meditation of my heart be acceptable in your sight, O Lord, my strength and my redeemer. -- Psalm 19:14

The Cruciforms: O Lamb of God that taketh away the sins of the world, have mercy upon us, O Lamb of God that taketh away the sins of the world, have mercy upon us, O Lamb of God that taketh away the sins of the world, grant us Thy Peace.

The Weeks: Almighty and merciful Lord, Father, Son, and Holy Spirit, Bless and keep _________. Amen.

The Invitatory: Bless the Lord, O my soul, and all that is within me, bless His Holy Name.

The Cross: Glory be to the Father, and to the Son, and to the Holy Ghost. As it was in the beginning, is now, and ever shall be, world without end. Amen. -- The Gloria Patri
I find praying with the beads soothing, quieting, peaceful. The feel of the stone beads between my fingers allow me to close my eyes as I pray for certain people, and the larger cruciform beads alert me to change to the prayer of praise. I leave my prayer corner with a serene heart, knowing I have lifted up my loved ones to God this day and always.


holy experience

Tuesday, October 6, 2009

Keith's Newest Stained Glass Door Is Finished!


A year ago, Keith finished the above masterwork of stained glass -- four feet by five feet, 1500+ pieces, Tiffany-inspired. Gorgeous. Last September Keith installed it in the Ademas' home to great admiration. And this month Keith completed a companion piece -- a pocket door for their bedroom -- that picks up elements from the original window and also from their front door. So..... here it is, the newest Keith Barrett stained glass window -- and he made the wooden door, too:

Keith putting the finishing touches on the window and door.


Detail of the window ....


The stained glass window/door will be installed tomorrow at the Ademas. I can't wait to see it in tandem with the big window. It's gonna be gorgeous!

Monday, October 5, 2009

Quotations of the Week: On Writing

("Starving Writer" image from cs.wisc.edu)

I should be grading papers. I should be writing a post about how to make an outline for my online MLA research class at Brave Writer. I should be preparing for Thursday's co-op classes.

But, no. I spent the afternoon looking for just the right quotation to share here for the new Quotation of the Week.

Although I browsed through quotations on faith, on prayer, and humorous quotations (adding two more pages of quotations to my journal in my signature sepia ink), I came back to a couple of quotes I posted here when I first started the Quotation of the Week on this blog.

They're about writing -- the joy and ecstasy ... the pain and despair. Mostly the pain and despair, though.

So enjoy these little gems -- I certainly have. They are among my favorites in my quotation journal ...

So far.


"I love deadlines. I like the whooshing sound they make as they
fly by."

-- Douglas Adams

"Be obscure clearly."
--E.B. White

"Writing is easy: All you do is sit staring at a blank sheet of
paper [or computer screen] until drops of blood form on your
forehead."

-- Gene Fowler

"Writing is a socially acceptable form of
schizophrenia."

-- E.L. Doctorow

"There's nothing to writing. All you do is sit down at a
typewriter [or keyboard] and open a vein."

-- Walter Wellesley "Red" Smith


There. These little tidbits of writing wisdom ought to help push me along to completing my deadlines in a timely manner, right?

Yeah, right. No problem whatsoever. Sigh....

Sunday, October 4, 2009

Prayer of Saint Francis


On this Feast Day of Saint Francis, I prayed this prayer from the first day of The Divine Hours: Prayers for Autumn/Wintertime:

Lord, make me an instrument of your peace.
Where there is hatred, let me sow love;
where there is injury,pardon;
where there is doubt, faith;
where there is despair, hope;
where there is darkness, light;
and where there is sadness, joy.

O Divine Master, grant that I may not so much seek
to be consoled as to console;
to be understood as to understand;
to be loved as to love.
For it is in giving that we receive;
it is in pardoning that we are pardoned;
and it is in dying that we are born to eternal life.
Amen
This quotation of St. Francis also speaks to us of his humility:

I have been all things unholy. If God can work through me, he can work through anyone.
This quotation also remind us how to live a life that glorifies God:

While you are proclaiming peace with your lips, be careful to have it even more fully in your heart.
And this is my favorite St. Francis quotation:

Start by doing what's necessary; then do what's possible; and suddenly you are doing the impossible.
From AmericanCatholic.org on the life of Saint Francis:

Francis of Assisi was a poor little man who astounded and inspired the Church by taking the gospel literally—not in a narrow fundamentalist sense, but by actually following all that Jesus said and did, joyfully, without limit and without a mite of self-importance.

Serious illness brought the young Francis to see the emptiness of his frolicking life as leader of Assisi's youth. Prayer—lengthy and difficult—led him to a self-emptying like that of Christ, climaxed by embracing a leper he met on the road. It symbolized his complete obedience to what he had heard in prayer: "Francis! Everything you have loved and desired in the flesh it is your duty to despise and hate, if you wish to know my will. And when you have begun this, all that now seems sweet and lovely to you will become intolerable and bitter, but all that you used to avoid will turn itself to great sweetness and exceeding joy."

From the cross in the neglected field-chapel of San Damiano, Christ told him, "Francis, go out and build up my house, for it is nearly falling down." Francis became the totally poor and humble workman.

He must have suspected a deeper meaning to "build up my house." But he would have been content to be for the rest of his life the poor "nothing" man actually putting brick on brick in abandoned chapels. He gave up every material thing he had, piling even his clothes before his earthly father (who was demanding restitution for Francis' "gifts" to the poor) so that he would be totally free to say, "Our Father in heaven." He was, for a time, considered to be a religious "nut," begging from door to door when he could not get money for his work, bringing sadness or disgust to the hearts of his former friends, ridicule from the unthinking.

But genuineness will tell. A few people began to realize that this man was actually trying to be Christian. He really believed what Jesus said: "Announce the kingdom! Possess no gold or silver or copper in your purses, no traveling bag, no sandals, no staff" (see Luke 9:1-3 ).

Francis' first rule for his followers was a collection of texts from the Gospels. He had no idea of founding an order, but once it began he protected it and accepted all the legal structures needed to support it. His devotion and loyalty to the Church were absolute and highly exemplary at a time when various movements of reform tended to break the Church's unity.

He was torn between a life devoted entirely to prayer and a life of active preaching of the Good News. He decided in favor of the latter, but always returned to solitude when he could. He wanted to be a missionary in Syria or in Africa, but was prevented by shipwreck and illness in both cases. He did try to convert the sultan of Egypt during the Fifth Crusade.

During the last years of his relatively short life (he died at 44) he was half blind and seriously ill. Two years before his death, he received the stigmata, the real and painful wounds of Christ in his hands, feet and side.
So a pleasant celebration of this Feast Day of Saint Francis! May we live our lives in imitation of this saint who loved Jesus so absolutely, completely, and unabashedly, just as we should.

Saturday, October 3, 2009

Saturday Evening Blog Post for September



Elizabeth Esther at Kids, Twins and Laundry Bins started a wonderful monthly MEME called The Saturday Evening Blog Post in which we choose a blog post from the past month and repost it at her site and explain why we chose it.

So this month I chose a post that includes several of my favorite topics: Quotations, Writing, Scripture, and Prayer. You may read (or reread) it here:

Quotation of the Week and the Joy of Epistles

I wrote a similar blog post yesterday about how much peace and joy I find in writing with my rosewood dip pen (purchased by my children from Barnes and Noble for a birthday present a couple of years ago) and sepia ink (included with the pen). There's just something elemental and elegant about writing thus. It's one of the true joys of my life.

So check out the Saturday Evening Blog Post at Elizabeth's blog with the Mr. Linky List of favorite blog posts for September. And enjoy some wonderful writing.

The Beauty of Fixed-Hour Prayers


Today, Saturday, is the last day that I will use the above book, The Divine Hours: Prayers for Summertime by Phyllis Tickle until next June. I have come to depend greatly on these three volumes of fixed-hour prayers. I spotted them at Costco several years ago and thumbed through them wistfully, wanting them desperately but unable to afford them. Then my dear Anglican friend Dru gave them to me -- such a beloved gift! Rare has been the day that I have not opened one of these volumes to pray from at least once. Tonight after Compline I will shelve the Summertime volume and wipe the dust from Autumn/Wintertime for use tomorrow morning and over the next four months.

The prayers are set for Morning ("To Be Observed on the Hour or Half Hour Between 6 and 9 a.m."), Midday ("To Be Observed on the Hour or Half Hour Between 11 a.m. and 2 p.m."), and Vespers ("To Be Observed on the Hour or Half Hour Between 5 and 8 p.m."). At the end of each of the four months per volume is a selection of Compline prayers for Sunday-Saturday ("To Be Observed Before Retiring").

This praying according to set hours feels very foreign to most evangelicals, but I find it soothing and helpful, allowing me to focus clearly on God several times per day in the midst of my busy life. Most of the prayers are simply Scripture, and those that are not are most frequently taken from the Anglican Book of Common Prayer which is mostly Scripture itself.

This morning I discovered an online article about the historicity and value of praying at set times; the article was reprinted from the introductory material in the Summertime volume of Phyllis Tickle's The Divine Hours series. Picking up the volume from my desk, I turned to the beginning of the book and quickly located the information. I would like to quote certain sections that I find most helpful as an evangelical with strong Anglo-catholic leanings. The entire article may be read here: A Brief History of Fixed Hour Prayer, written by Phyllis Tickle.

From the section entitled "The Age of the Apostles":
Fixed-hour prayer, while it is with the Eucharist the oldest surviving form of Christian spirituality, actually had its origins in the Judaism out of which Christianity came.Centuries before the birth of Jesus of Nazareth, the Hebrew psalmist wrote that “Seven times a day do I praise you” (Ps. 119:164). Although scholars do not agree on the hours of early Judaism’s set prayers (they were probably adjusted and readjusted many times), we do know that by the first century a.d. the ritual of daily prayer had assumed two characteristics that would travel down the millennia to us: The prayers had been set or fixed into something very close to their present-day schedule, and they had begun to assume something very close to their present-day intention.
From the same section:
In the cities of the [Roman] Empire, the forum bell rang the beginning of that day at six o’clock each morning (prime or “first” hour); noted the day’s progress by striking again at nine o’clock (terce or third hour); sounded the lunch break at noon (sext or sixth hour); called citizens back to work by striking at three o’clock (none or ninth hour); and closed the day’s markets by sounding again at six o’clock in the afternoon (vespers or evening hour).

Every part of daily life within Roman culture eventually came, to some greater or lesser extent, to be ordered by the ringing of the forum bells, including Jewish prayer and, by natural extension, Christian prayer as well. The first detailed miracle of the apostolic Church, the healing of the lame man on the Temple steps by Sts. Peter and John (Acts 3:1), occurred when and where it did because two devout Jews ... were on their way to ninth-hour (three o’clock) prayers. Not many years later, one of the great defining events of Christianity—St. Peter’s vision of the descending sheet filled with both clean and unclean animals—was to occur at noon on a rooftop because he had gone there to observe the sixth-hour prayers.

The directive Peter received during his noon devotion—i.e., to accept all that God had created as clean—was pivotal because it became the basis of the ecumenism that rapidly thereafter expanded Church fellowship beyond Jewry. Peter was on the roof, however, not by some accident of having been in that spot when the noon bell caught him, but by his own intention. In Joppa and far from Jerusalem and the Temple, Peter had sought out the solitude of his host’s rooftop as a substitute site for keeping the appointed time of prayer.
In the section entitled "From the Apostles to the Early Fathers":
Christians today, wherever they practice the discipline of fixed-hour prayer, frequently find themselves filled with a conscious awareness that they are handing their worship, at its final “Amen,” on to other Christians in the next time zone. Like relay runners passing a lighted torch, those who do the work of fixed-hour prayer do create thereby a continuous cascade of praise before the throne of God. To participate in such a regimen with such an awareness is to pray, as did the Desert Fathers, from within the spiritual community of shared texts as well as within the company of innumerable other Christians, unseen but present, who have preceded one across time or who, in time, will follow one.
In the section called "From St. Benedict to the Middle Ages":
It was, of course, St. Benedict whose ordering of the prayers was to become a kind of master template against which all subsequent observance and structuring of the divine hours was to be tested. It was also Benedict who first said, “Orare est laborare, laborare est orare.” “To pray is to work, to work is to pray.” In so doing he gave form to another of the great, informing concepts of Christian spirituality—the inseparability of spiritual life from physical life. He also formalized the concept of “divine work.”

... For Benedict, as for many before him and almost all after him, fixed-hour prayer was and will always be opus dei, “the work of God,” “the offices.” As for the hours on whose striking the prayers are done, those belong to God and are, as a result, “divine.” And the work is real, as fixed in its understanding of itself as it is in its timing.
So on goes the "divine work" of prayer. I need to learn better to interrupt the work of my hands and mind at these set times of day in order to climb the stairs to my prayer corner and "worship and fall down, and kneel before the Lord our Maker, for he is the Lord our God" and "worship the Lord in the beauty of holiness" (from The Venite (Psalm 95) in the 1928 Book of Common Prayer, The Order for Daily Morning Prayer, page 9).

I am fairly consistent with Morning Prayer. I pray Compline next most often, then Midday/Noon, and don't do so well with Vespers because it's a busy time of day in our home as we finish the day's schooling while Keith makes dinner. My desire is for these times of prayer to become a routine part of my life so that, like Peter, I can withdraw myself to a quiet place and "worship the Lord in the beauty of holiness" throughout the day. The fixed-hour prayers in The Divine Hours are short; in reality, they take a mere five minutes, and only ten if I add intercessory prayer as I often do. And the brevity of these Scriptural prayers becomes an opportunity to practice Lectio Divina as well.

But it's an interruption. It takes a willingness to leave whatever I may be doing at that time and go upstairs for those 5-10 minutes. Jennifer at Conversion Diary writes about the same difficulty in putting aside the work she is engrossed in to go pray right here.

So I hope indeed to focus more on praying the Divine Hours at the set times indicated. It's an excellent way to truly place God as the first priority in my daily life, one that I pray that I will indeed apply to my days here at home as Prayers for Summertime close and I open Autumn/Wintertime.

Friday, October 2, 2009

The Joy of Old-Fashioned Writing


I've been simply swamped so far this school year. We've completed six weeks of home schooling this autumn, and it's been rather overwhelming with helping Timothy adjust to high school, Jonathan adjust to junior high, Benjamin with his reading, all while Elizabeth races through her senior year, studying for her SATs and starting the college application process and planning visits to her possible choices.

But what can bring me a few minutes of relaxation? Spending time with my Lord in prayer. Soaking in my Jacuzzi. Reading the Twilight series or listening to them on my iPod. And writing.

Writing, though, is also my work. This weekend I need to do a great deal of writing: preparing for my co-op poetry class next Thursday, writing posts on organization and outlining for my online research class ... not to mention essays to grade for my co-op writing class which involve a great deal of writing as I comment on and encourage each student's work.

Blogging relaxes me but also puts pressure on me to produce something ... anything ... that works well, is intriguing, is helpful, is insightful. I doubt this post is any of those, but it's what's on my mind and heart this evening.

But the writing that really relaxes me, really puts me into a creative mood, is done without my laptop, without the seeming ease of distribution and clatter of fingernails on keyboard.

And it is achieved without my beloved Waterman fountain pen that I use for most of my daily writing and poetry composing. No, this manner of writing is even more old-fashioned than my hefty blue-swirled fountain pen.

I follow a blogger who writes with a manual typewriter and with pencils at La Vie Graphite. But as much as I enjoyed pounding on my mother's old manual typewriter from her college days, I prefer writing in an even more old-fashioned way.

The way I truly, truly enjoy to write is with my rosewood pen with a fine-tipped metal nib. I love the uncorking of sepia ink, dipping the pen into the glass bottle, and touching the nib to rich ivory paper -- either of my special embossed stationery or of my leather-bound journal.

The instant that the letters and words flow from the nib in elegant sepia swirls and scrolls, I feel stress rolling off my shoulders and out of my mind. I relax more deeply into my seat, allowing pen to move easily across the page, words flowing as mind captures them and translates them down my arm into hand and fingers, through pen to nib and ink where they sweep and pass, dot and cross, curve and whirl.

The simple joy of "for real" writing -- writing the way Shakespeare did ... writing the way Austen did ... writing the way Dickens did, embraces me. Even if it's only for myself in my journal in which I write approximately once per week, I still feel a trill of joy when I write with these elemental instruments, these simple tools of word conveyance.

Part of the attraction of writing thus, I candidly admit, is pure vanity regarding my penmanship. I would love to learn the Spencerian hand or Round-hand or perhaps Italian or German. Most of them are listed and shown in examples in the Dover edition of George Bickham's Penmanship Made Easy (pictured here).

As much as I like my own handwriting, I would LOVE to be able to make it look even more old-fashioned. Part of the key of doing so is using the correct writing instruments, which indeed I have, and part of it is in the slant of the pen in one's hand -- which is much harder to learn and do consistently. Later when I have some REAL free time, I'll work on it.

For now, I enjoy simply allowing letters and words to flow from my pen, watching the width of the line for the perfect moment to re-dip the nib into the bottle of ink -- not too soon while the pen is still glutted with ink, but not too late so that I have to rewrite the last letter or two after the nib ran dry.

Writing thus with wooden pen and metal nib dipped into a bottle of sepia ink relaxes me the way other women use crocheting or knitting to relax, yet still produce something of use and/or beauty. I enjoy writing actual notes and letters to friends in my efforts to not allow the art of letter writing to completely die out in this age of technology. It is a real joy to write thus, a joy for me as I write and, I sincerely hope, enjoyable for the recipients of my notes and letters as well.

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